Rosenwald fellow’s mural a touchstone in historical representation of the Amistad

Posted on December 23rd, 2014 by

The “Talladega Murals,” completed by future Rosenwald fellow Hale Woodruff in 1938, have been on tour since 2012 in galleries all over the country. This traveling exhibit is an amazing chance to see these great works, and we’ve reported on their progress here on this blog over the past couple years.

One of Woodruff’s mural on display in Washington D.C.
Photo credit: The Washington Post

Michael E. Ruane, writing for the Washington Post, recently reviewed the exhibit in its current location, the Smithsonian National Museum of American History. The article, which includes quotes from National Museum of African American History and Culture experts like Jacquelyn D. Serwer and Kinshasha Holman Conwill (both of whom were interviewed for our upcoming documentary, The Rosenwald Schools), is well worth a read. Ruane tells the story of the Amistad slave ship revolt and explains how Woodruff’s paintings of it revived interest and became an important historical touchstone for representation of the unique and powerful event. As Conwill puts it in the article, the murals depict “the rarest of moments in 19th-century history […] the triumph of Africans over their enslavement that is a success.”

You can read more about the exhibit, Woodruff and the Amistad at the Washington Post.

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