Rosenwald instrumental in construction of famous 12th Street YMCA in Washington

Before philanthropist Julius Rosenwald provided funding for rural schools for African-Americans, he initiated an equally successful program designed to aid the nation’s growing urban population of African-Americans. In a time when many blacks were migrating to industrial centers, the Young Men’s Christian Association played a valuable role by providing both interim housing for the new population (who were barred from most residential hotels due to segregation) and a community center in which to practice religion and physical fitness.

The Washington D.C. YMCA, located at 1816 12th Street NW, played this role for the vibrant African-American community around nearby U Street. Funding for the 12th Street YMCA was an early model for the kind of “challenge” grants Rosenwald would use to encourage local investment and increase the funding power of his philanthropy. The $100,000 building was funded in four equal parts; a grant from Rosenwald, a grant from John D. Rockefeller Sr., the central YMCA administration and most importantly, a significant contribution of $27,000 from the Washington D.C. black community. Around Christmas of 1911, after President Taft called his attention to the cause, Rosenwald presented the Washington YMCA with a personal gift of $25,000 that allowed the building to be complete and operational by April of 1912.

The 12th Street YMCA, shortly after its opening
Photo credit: Published in The Outlook, October 28th, 1914

Using the Washington YMCA as a model, Rosenwald pledged $25,000 for the construction of similar buildings in any African-American community that could raise the additional funds as Washington’s had. Although these were segregated facilities, the partnership between the black and white communities in building these structures created, for Rosenwald, a “foundation for a better understanding of each other, promising much for the future,” (The Chicago Defender, 1913) and provided much needed service to the communities that housed them.

African-American branches of the YMCA had existed since before the Civil War, but they were often itinerant associations, meeting in temporary locations such as residences or churches. Washington D.C. became the first city to establish a YMCA for African-Americans when Anthony Bowen established the “Colored Young Men’s Christian Association” in 1853. Bowen’s YMCA initially met in his home and later in donated or rented spaces around the city.

As a permanent replacement for these temporary spaces, the modern and well-equipped 12th Street YMCA represented a bold step forward for both the black YMCA and the black community at large. The large building contained dormitories, classrooms, a gymnasium, a swimming pool, a barbershop, bowling alleys and a cafeteria. Its striking Renaissance Revival architecture stands out on 12th Street and the fact that it was designed by noted African-American architect and Tuskegee grad William Sidney Pittman made it an inspiring contribution to the community. Over the years, the 12th Street YMCA housed and hosted numerous famous visitors and residents of D.C., including Thurgood Marshall, Charles Houston, Charles Drew and Langston Hughes.

 The 12th Street YMCA was the first building to be completed under Rosenwald’s program, but over the next 20 years, Rosenwald would go on to fund 23 similar buildings in black communities around the U.S. (such as Chicago’s Wabash Y). These buildings were invariably spacious, well-built structures that provided an aesthetic and spiritual anchor for the communities that commissioned them. Although some have fallen victim to urban renewal over the years, at least 15 are still standing, some still in use as YMCAs, others restored as community centers, museums, performing arts centers and affordable housing. The 12th Street YMCA was renovated and reopened as the Thurgood Marshall Center for Service and Heritage in early 2000 and continues to serve as event space and a community center for the U Street area.

The Thurgood Marshall Center for Service and Heritage
The Thurgood Marshall Center for Service and Heritage
Photo credit: Michael Rose, March, 2012

By Michael Rose

Work in progress of “The Rosenwald Schools” plays to packed house at Pickford Theater

The work in progress of The Rosenwald Schools, the upcoming documentary film by Aviva Kempner, screened for a standing room only crowd at noontime on Tuesday, February 28th, at the Mary Pickford Theater in the Madison Building of the Library of Congress. Ms. Kempner was joined by Stephanie Deutsch (author of the new book You Need a Schoolhouse: Booker T. Washington, Julius Rosenwald, and the Building of Schools for the Segregated South) to introduce the film. Many thanks to all who attended and please check back to this blog for updates on future screenings in the Washington D.C. area and elsewhere.

A Program to Celebrate: African American History Month Preview of a Documentary Film in Process

“The Rosenwald Schools” by the noted Documentary Film maker Aviva Kempner who will show a work in progress and discuss her film with Stephanie Deutsch, author of the recently published book You Need a Schoolhouse. Booker T. Washington, Julius Rosenwald and the Building of Schools for the Segregated South.

Tuesday, February 28, 2012 at 12:00 pm
The Pickford Theater
3rd Floor, Madison Building
101 Independence Ave. SE
Washington, DC 20540

Sponsored by: The Rare Book Special Collections Division; African and Middle Eastern Division; and Humanities and Social Sciences Division.

 

AVIVA’S WORK IN PROGRESS AT ROCKLAND JEWISH FILM FESTIVAL

The Rosenwald Schools (Work in Progress) at Rockland Jewish Film Festival

Tuesday, March 20th @ 7:30 pm

AMC Theatres Palisades Center Mall, West Nyack

Early in the 20th Century, philanthropist Julius Rosenwald partnered with Booker T. Washington to build 5,300 schools for rural African American communities in the South at a time when few African Americans received any public education. Born in Springfield, Illinois, Rosenwald was the son of German Jewish immigrants who rose to become one of the wealthiest men in America as the head of Sears Roebuck and Company. Influenced by the social reform gospel espoused by Rabbi Emil Hirsch of Chicago’s Sinai Congregation, Rosenwald used his great wealth and talent for leadership as he tried to fix what he viewed was wrong with the society, truly living the ideals of tikkun olam, repairing the world.

Guest Speaker: Aviva Kempner

Sponsored by Ascape Landscape & Construction, Jennifer & Stuart Chaitin and Family

Tickets: http://www.jccrockland.org/filmfestival2012/synopses.html#rosenwald

Appearing with:

Dressing America: Tales From the Garment Center

From the directors of From Swastika to Jim Crow (NYJFF 2000) comes this fascinating documentary exploring the post-World War II heyday of the garment district in Manhattan. Mavens of the “shmatte” business pay tribute to the Jewish immigrant roots of the garment industry, when Sam, You Made the Pants Too Long was a top musical hit and American designers challenged the hegemony of Paris fashion.

The Tailor

A delightful short comedy with influences of Buster Keaton, it is crafted as an homage to the past with a present day twist. Culture and confusion meet on a Brooklyn street in this hilariously charming tale.

Gathering after the Politics and Prose book discussion on January 21st

photo by David L. Sacks

A gathering after Stephanie Deutsch’s book signing at D.C. bookstore Politics and Prose provided a venue for a discussion between relatives of Julius Rosenwald and descendants of Rosenwald Fund beneficiaries and fellow donors. Stephanie Deutsch’s new book, You Need a Schoolhouse: Booker T. Washington, Julius Rosenwald, and the Building of Schools for the Segregated South, describes the productive relationship between the famous African American educator Booker T. Washington and Julius Rosenwald. Together they built over 5,000 schools in the rural South for African Americans.  Rosenwald also set up the Rosenwald Fund in 1917 to continue this work on a larger scale. The Rosenwald Fund aided gifted Black intellectuals and artists in order to give them one to three years to concentrate on their work and develop their abilities.