Rashida Jones, actor and now screenwriter, has Rosenwald connection in her family tree

Rashida Jones, who’s become a familiar face in NBC’s critically-lauded sitcoms (like “The Office” and “Parks and Recreation”) and modern romantic comedies (like I Love You, Man and Our Idiot Brother) is currently promoting her newest film, Celeste and Jesse Forever. Jones stars in the film with Andy Samberg and it’s also her first screenwriting credit. Jones explains in a Washington Post interview that the film draws from moments in her personal life with close friend and co-writer Will McCormack.

Rashida Jones’s family has an interesting connection to Julius Rosenwald. Her father is the great musician and producer Quincy Jones, who was born in the Rosenwald-funded Michigan Boulevard Garden Apartments in Chicago in 1933. Barbara Bowman (whose father helped design the apartment complex) recalled in an interview with us last year that Quincy Jones’ mother was a secretary to the building manager and his father was the carpenter in the building.

You can read more about Celeste and Jesse Forever at the Washington Post.

By Michael Rose

New interviews for The Rosenwald Schools

Filming for the upcoming The Rosenwald Schools is moving forward. On May 16th and 17th, we filmed several interviews with experts and descendents of people who either worked with Julius Rosenwald or were touched by his philanthropy.

ON MADAM C.J. WALKER


A’Lelia Bundles with Aviva Kempner
Photo credit: Michael Rose

First up, on May 16th, was A’Lelia Bundles, who fondly recalled her great-great-grandmother, Madam C.J. Walker, a famous African-American entrepreneur from the early 20th century. Madam Walker started out as a washerwoman but “promoted herself” little by little until she ran her own hugely successful business producing hair care products for African-American women. Walker, whose factory was in Indianapolis, was generous and community-minded as well, and was one of the principal donors to the Julius Rosenwald YMCA on Senate Avenue in Indianapolis, giving $1,000 to the cause. This incredibly generous donation was the largest by a black donor to a Rosenwald YMCA, putting her on a level with the donations from white Indianapolis businessman and helping to spearhead the pledge drive in the black community. Ms. Bundles stressed the passion for philanthropy that accompanied her great-great-grandmother’s keen business sense:

“I think [her gift of $1,000 to the YMCA] transformed her, in a way, because she realized that selling hair care products was really a means to an end, that the greater good that she could do would be to give back to her community [and] to contribute to institutions like the YMCA. […] She really saw her business as a way to make a difference.” (A’Lelia Bundles)

A’Lelia Bundles with Aviva Kempner
Photo credit: Michael Rose

Ms. Bundles, a former television producer and writer, is an excellent source for information about the life of Madam Walker. In 2001, she compiled her research into an entertaining and informative biography entitled On Her Own Ground: The Life and Times of Madam C. J. Walker. Ms. Bundles also spoke of the positive effects of the YMCA that Rosenwald and Madam Walker partnered to fund.

“It was really the hub of political and social activity in the African-American community for many years. Although the building is no longer there, the memories and the legacy of what Julius Rosenwald and Madam Walker and others did really still lingers.” (A’Lelia Bundles)

ON HOUSING IN CHICAGO

Next we spoke to Clarence Page, a Pulitzer Prize-winning columnist of the Chicago Tribune. Mr. Page is an expert on the history of housing in black Chicago. In the interview, Mr. Page lauded the Michigan Boulevard Garden Apartments (built by Julius Rosenwald) as a timely and very practical solution to the housing shortage in the Black Belt area of Chicago’s South Side.

Clarence Page
Photo credit: Jackson Berkley

“At a time when many African Americans were coming into Chicago and looking for decent housing and many of them finding opportunity and moving up the ladder into the middle class, there wasn’t enough housing there to accommodate their needs. And so Michigan Garden Apartments, that sort of development, was a real godsend for many folks who were looking for a real community and a real place to belong. […] It became a neighborhood in itself, and this is why a lot of folks just knew it as the Rosenwald Gardens more than the Michigan Gardens, because his name was so well known, respected, and beloved by so many South Siders.” (Clarence Page)

Because of racial covenants in residential developments, even upwardly mobile black Chicagoans had trouble finding decent housing. Like many of Rosenwald’s philanthropic projects, the Michigan Boulevard Garden Apartments was designed to help improve the situation of African-Americans under racial segregation as a stopgap measure until integration could occur. “The Rosenwald,” as it was known by many, was a beloved and elegant building with spacious interior grounds and generously sized units.

ON DR. CHARLES DREW

On May 17th, we interviewed two experts on the life of Dr. Charles Drew, a surgeon from Washington D.C. who made use of a timely grant from the Rosenwald Fund to finish medical school. Dr. Drew was a talented, driven doctor who is most well known for his pioneering work on blood transfusions during World War II. Our first interviewee on this subject was Dr. Drew’s daughter, Charlene Drew Jarvis, a former D.C. Councilwoman who followed in her father’s footsteps by becoming a doctor of neuropsychology and working with the American Red Cross.

Charlene Drew Jarvis
Photo credit: Michael Rose

Ms. Drew Jarvis related the story of Dr. Drew’s application to the Rosenwald Fund. In 1931, Drew was already a junior in McGill University’s medical school, but was unsure if he would be able to continue due to his financial situation. His parents were struggling because of the Depression and he was no longer able to make extra money officiating basketball and football games due to the busy schedule of classes and his work at the hospital. Drew applied to the Rosenwald Fund and received a $1,000 grant that allowed him to complete medical school. Ms. Drew Jarvis read from a letter that her father wrote to the Rosenwald Fund later in life, thanking them for their support:

“The fellowship which I received from the Rosenwald Fund came at a rather needy and critical period of my training. I remain continuously grateful to the memory of the man who made such aid possible and fully conscious of the spirit in which such grants are made. It is my sincere intention to serve well as I go along from day to day. It is my constant hope that I shall be able at some time to add some new thought, discover some new process or create something which will prevent or cure disease, alleviate suffering or give men a chance to live and grow and smile more freely and thereby, in part, repay the debt, which I am happy to acknowledge.” (Dr. Charles Drew, quoted by Charlene Drew Jarvis)

Dr. Drew was also an inspirational and gifted teacher to many African-American medical students at Howard University. Our second interviewee was Dr. DeMaurice Moses, a pediatrician who was born in Washington D.C. and later served as the only black doctor in a community in Washington state. Dr. Moses was inspired to succeed by hearing Dr. Drew speak as a young child, and recalled Dr. Drew’s bold maxim, “Excellence of performance will transcend adversity and other difficulties such as discrimination.” As pioneers in the racially segregated medical profession, both Dr. Drew and Dr. Moses had to work even harder for the respect of their peers and their communities, but both rose to the task.

Dr. DeMaurice Moses and Charlene Drew Jarvis
Photo credit: Jackson Berkley

Ms. Drew Jarvis illuminated another link between Rosenwald and Dr. Drew, the black YMCA in Washington D.C. Rosenwald gave funding to the organization’s building on 12th Street NW, a building which Ms. Drew Jarvis called a “cultural icon” in the community. “For many African-American kids,” including a young Charles Drew, the 12th Street Y “was the center of their recreation and the center of their cultural upbringing.”


Photo credit: Jackson Berkley

Sadly, Dr. Drew died prematurely at the age of 45 in a 1950 car crash after falling asleep at the wheel while driving from Washington D.C. to Tuskegee, Alabama. There is an urban legend that claims Dr. Drew’s subsequent death was a result of the unwillingness of the North Carolina hospital that took him in to administer blood from a white donor. This story is probably appealing because of its irony—Dr. Drew had fought passionately against segregation of blood banks—but it is not entirely factual. Dr. Moses explained that the hospital in Burlington, North Carolina did everything it could for Dr. Drew, but pointed out the role that racial discrimination did play in the car crash itself, which was brought on by the fatigue of driving overnight.

“He was not able to simply stop his vehicle and get lodging in a hotel or motel because African-Americans could not stay in hotels or motels during that time. […] American discrimination against African-Americans actually prevented the United States and the world from the services of Dr. Drew for perhaps another fifty years.” (Dr. DeMaurice Moses, on Dr. Drew’s car crash)

ON THE RIDGELEY SCHOOL

The Ridgeley School
Photo credit: Jackson Berkley

On May 17th, at the Ridgeley School, a Rosenwald-funded school in Prince George’s County, Maryland, we interviewed two descendents of a local family instrumental in the school’s construction, Mildred Ridgley-Gray and her daughter, LaVerne Gray. Later, we talked to Joanna M. Smith, a representative of the Delta Sigma Theta Sorority, whose Prince George’s County chapter spearheaded the campaign to restore the school and continue to volunteer their time as tour guides for the public.

Aviva Kempner with Mildred Ridgley-Gray
Photo credit: Jackson Berkley

Both Mildred and LaVerne attended the Ridgeley School, and it was Mildred’s mother who donated the land on which it was built. Mildred stressed the role Julius Rosenwald’s philanthropy played in ameliorating the ill effects of the of Jim Crow segregation. In rural area, so-called “separate but equal” school segregation often resulted in a situation where black children literally couldn’t go to school in their community because the only schoolhouse was reserved for white children. Mildred pointed out the hypocrisy of taxes from black citizens in southern communities going to pay for a school system that excluded their children:

If it wasn’t for Julius Rosenwald, we would not have been exposed to the curriculum that the taxpayer dollars were paying for. Ridgeley School offered that opportunity.” (Mildred Ridgley-Gray)

Mildred Ridgley-Gray
Photo credit: Jackson Berkley

Mildred also shared a humorous Sears-related memory from her childhood.

“[When] the new catalogue came in, the [old] catalogue was given to us to look at and to select clothing and to learn the names of clothing and what we wanted. We had wish lists and we could fantasize with that. […] After that, it went out into the outside toilets that we had on the farm, and we used pages from that as toilet tissue. […] The Sears catalogue was next to the Bible in our home.”

On the set with Mildred Ridgley-Gray
Photo credit: Jackson Berkley

Mildred’s daughter, LaVerne Gray spoke about the emotions she gets when she sees the restored Ridgeley School:

“When I see it all restored like this, of course it brings back all the memories of childhood. […] There’s a certain pride for what actually happened. Not just for my family, but to know that Booker T. Washington and Julius Rosenwald [came] together and [created] something fabulous; schools for kids who otherwise wouldn’t have had the opportunity.” (LaVerne Gray)

Aviva Kempner with LaVerne Gray
Photo credit: Jackson Berkley

Part of what made the Rosenwald schools inspiring for students is that each building was designed with care, with beautiful windows yielding large light-filled classrooms. LaVerne spoke about this architectural style and also about the way the Ridgeley School is situated in the community:

What I remember so strongly is turning that corner on Central Avenue, coming down the panhandle to get to the school. And when you get to the end, it opens up in front of you, this wonderful building. I think that’s how I got to love architecture, just something about the strength of that building.” (LaVerne Gray)

Artifacts in the restored Ridgeley School
Photo credit: Jackson Berkley

Joanna Smith is a native of Columbus, Ohio and therefore was not well informed about the Rosenwald schools prior to moving to Prince George’s County in the late 1960s. However, when she heard about the historical schools at a community meeting, she encouraged the service oriented Delta Sorority to join forces with Mildred Ridgley-Gray to restore the school. The history of the Ridgeley School is now very familiar to Ms. Smith, and she spoke positively about Rosenwald’s part in it:

“If I was in the room with Julius Rosenwald, I would certainly want to thank him for his vision of seeing that the black youth were educated. His top priority was that everyone should have a right toward education. And even though it was separate, still they should be educated. And I would thank him for his vision.” (Joanna M. Smith)


Joanna M. Smith
Photo credit: Jackson Berkley

By Michael Rose

The Rosenwald Apartments

The first few decades of the 20th century saw huge numbers of African Americans moved to the Midwest during a period that is now called “The Great Migration.” Midwestern cities like Detroit, Cleveland, Cincinnati and St. Louis saw their black populations swell as more and more black people migrated to them from the South. These cities became the focal point of African American life and the most important of all these cities was Chicago.

Despite the fact that many business in Chicago benefitted from black labor the city was unprepared and in many cases unprepared to house this large population of southern blacks. Many white Chicagoans greeted the huge numbers of southern black people with contempt. Moreover, Chicago simply did not have the housing to accommodate this huge new population.  The overcrowding caused by the huge influx in the black population, many of whom were prevented from getting housing due to the fact Chicago was segregated, and the competition with other ethnic groups in Chicago—the Irish in particular, lead to significant racial tension.  This racial animosity eventually manifested itself in the 1919 Chicago Race Riots, in which nearly 50 people died, hundreds were injured, and perhaps as many as one thousand people were left homeless the vast majority of whom were black.

It was in the context of both the racial tension and the systemic housing crisis faced by the now large black Chicagoans that Julius Rosenwald came up with a plan to develop an apartment building for middle and working class black people. Rosenwald first publicized his idea to build an apartment building for black people in July of 1928. The complex, which was to be called the Michigan Boulevard Garden Apartments, was located in the heart of South Side Chicago in a place known as the “Black Belt.”  The apartment building spanned from 47th to 46th street between Michigan and Wabash Avenues, and was located right in the middle of a vibrant black community.

Julius Rosenwald had his nephew Ernest Grunsfeld design the building. The inspiration for the design of the apartments may have come to Julius Rosenwald during a trip to Vienna inn 1926.  Like the apartments he saw on his trip he decided to build his apartment using the innovative idea of having shops on the first floor and the apartments above them.

The building is an enormous 465,544 square feet, 16,400 of which are commercial space. There were originally 421 apartments that ranged from 3 to 5 rooms. The Rosenwald had more than 1150 windows and more than a half dozen entrances.  There were no elevators (this would become a major problem for future renovations) so residents living at the top had to walk up all 5 floors. In the center of the complex is a large courtyard with garden and a fountain. The total cost of the apartments was 2.7 million dollars.

The decision to build this apartment building was far more than simple altruism. Rosenwald had a friend named Benjamin Rosenthal who was a real estate developer and in 1916 had tried to sell cheap housing to people of different ethnicities, European immigrants principally. Rosenthal had hoped to make a profit off of it despite the cheap rent, and ultimately Julius Rosenwald was convinced to get involved. While the project was a failure, Rosenwald did not abandon the idea that you could provide cheap housing that would be profitable. Rosenwald’s desire for the building to be profitable was not purely for personal gain. He hoped to show other whites that such ventures to help blacks could be provided by the private sector and still be profitable.

The Depression however may have cost Julius Rosenwald the financial side of this vision. Even though rents were already well below market rate they were still too expensive for residents.  Yet soon after the apartment complex opened the property managers were flooded with applicants hoping to move into the apartment complex.  Besides the fact that the apartments were cheap they were also safe. Children played in the courtyards while the parents could shop at the conveniently located storefronts.  The apartment complex was its own little community and became the backbone of the commercial sector on 47th street. In the 30s, 40s, and 50s, the apartment complex became a major nexus of black life and culture in Chicago. Jazz legend Nat King Cole, the poet Gwendolyn Brooks, one of the greatest boxers in history Joe Louis and 27time Grammy winner Quincy Jones.

Over the years however the apartment complex came to fall under hard times.  In 1956 the longtime manager Robert Taylor was unable to get enough support to transfer the complex into a cooperative. The fortunes of the building trended steadily southward after that. The building deteriorated and became increasingly dangerous in proceeding decades.  The Urban League, with the help of a developer, rehabilitated the apartments during the 1980s but safety hazards during the 1990s and early 2000s caused the Rosenwald to be vacated.

The building has been empty for over a decade now and the conditions of the dilapidated building have gotten even worse. The vacant Rosenwald apartments have become a hotspot for crime.  There are a number of groups currently trying to renovate the building but the costs of such repairs would be enormous. The cost of repairs might run as high as  $150,000,000. Many of the plans to rehabilitate the Rosenwald have failed because of the high costs and complex challenges of updating such an old building to meet modern disability and city codes.  Some want to demolish the building, but due to its rich history many believe that it would be a travesty to destroy the Rosenwald.

As government housing projects have fallen into disarray and their utility has drawn increasing skepticism and gentrification has forced many middle and working class black people out of their neighborhoods, the Rosenwald apartments take on new significance. The future of the building is unclear buts its legacy is not. For a time it was the heart of one of the most vibrant and talented black communities in world and a number its residents went on to become icons in American culture. The building stands as a testament to Julius Rosenwald’s ambitious altruism and entrepreneurial spirit.