New interviews for The Rosenwald Schools filmed in Chicago

by | Jan 9, 2013 | Rosenwald Fund

Significant progress was made on the filming of The Rosenwald Schools on December 3rd and 4th when Aviva and her Chicago crew filmed a slew of interviews in the home of Peter Ascoli, grandson of Julius Rosenwald. Our thanks go out to Peter and his wife Lucy for graciously hosting us and our interviewees.

The Michigan Boulevard Garden Apartments

Three wonderful individuals who had lived in the Michigan Boulevard Garden Apartments agreed to speak to us: former Chicago school superintendent Manford Byrd, Ralph Metcalfe Jr. and Lauranita Dugas. Mr. Byrd grew up in southeast Alabama but moved to Chicago in the mid-1950s in search of work. He explained the situation in Chicago at the time, and the significance of the Michigan Boulevard Garden Apartments.

There certainly has been an improvement in housing for African Americans in Chicago, but when I came it was really tight and really restricted. The real estate concerns controlled the movement of blacks very tightly and at many of the places, they cut up the apartments and made kitchenettes of them. We were at that time at the tail-end of another one of the great migrations into the city, so it was just very tight. But here was this oasis, here was this Mecca in the middle of the community… (Manford Byrd)

Byrd had only been living in the city a short time when he heard about “The Rosenwald,” as the apartment building was known around town. He and his fiancee were looking for a place to live and, after months on a waiting list, Byrd was able to secure an apartment in the Rosenwald by persistently reaching out to the building manager, Gwendolyn Minerbrook.


Manford Byrd

The waiting list at the Michigan Boulevard Garden Apartments was lengthy because the apartments there were greatly superior to many found in the rest of the community. Indeed, as Ralph Metcalfe Jr., son of Olympian and Congressman Ralph Metcalfe Sr., put it, “In 1946, the Rosenwald building was the place to be.” Metcalfe was born in the Rosenwald Apartments and talked about the celebrities (including his own father) who called it home: Joe Louis, Jesse Owens and more. Above all, he stressed what a great place it was to grow up, a view that was echoed by our next interviewee, Lauranita Dugas.

Dugas is the daughter of Robert Rochon Taylor, who was the first manager of the Rosenwald Apartments and later the chairman of the Chicago Housing Authority. Although she was only a child, she was extremely aware of the inner workings of the building and related many details about what the building used to hold: a nursery school, a goldfish pond, a dance studio and many small businesses. Dugas also shared with us a humorous anecdote about Julius Rosenwald, chairman of Sears Roebuck and namesake of the building:

One day, Mr. Rosenwald came to the building […] and was supervising and observing the painters. Just making conversation, he said, ‘Is that Sears paint?’ The painter didn’t know who he was [and] said, ‘Oh, no. We don’t use the Sears paint. It’s no good. We wouldn’t put it on this fine building.’ Mr. Rosenwald was just absolutely astonished. He went back over to Homan Avenue [Sears headquarters] and said, ‘What kind of paint are we using that’s so cheap that the painters don’t want to put it on?’

Aviva conducting a pre-interview with Lauranita Dugas

Rosenwald’s Impact on Chicago

Next we talked to Dr. Irving Cutler, author of several books, a native of Chicago’s North Lawndale and probably the foremost historian on Jewish Chicago. Cutler ranks Rosenwald the most influential Jewish citizen in the city’s history, largely because of his work to bring together the Eastern European and the German Jews of the city, who at that time were often at odds and lived in separate communities. Rosenwald, whose family was part of the older wave of German Jewish immigration, reached out to the more newly arrived community of Eastern European Jews in Chicago in several ways, but perhaps most visibly by engineering the combination of the two communities into the new amalgamated Jewish Charities of Chicago, which spearheaded support for Jewish relief causes in the wake of World War I.


Dr. Irving Cutler

Rosenwald passed away in 1932, but the Rosenwald Family Association (a philanthropy ran by his children) were able to help a sizable number of their extended family members escape Nazi Germany in the days leading up to World War II. Ursula Jonas, our next interviewee, was one of these fortunate individuals, and she immigrated from Germany with her family in 1936 thanks to the assistance of William and Lessing Rosenwald and the Adler family. Jonas, who still lives in the Chicago area, spoke about the lasting bond she formed with the Adlers during her early years in the USA:

[They] were just the most wonderful, warm, generous, giving people that anyone could have. [They] took care of everything: they set up apartments. […] they helped with jobs for the family, they were there with advice and help. My mother became ill in 1939 after my sister was born [and] they hired someone to stay with us, so we had someone there helping out for actually several years. We attended Thanksgiving gatherings […] and actually later on, when I was ready to go to college, I got some assistance from the Rosenwalds, helping out with my college tuition. (Ursula Jonas)


Ursula Jonas on our set (with Peter Ascoli in the background)

We also interviewed Kathleen McCarthy, director of exhibits and collections at the Museum of Science and Industry, on the topic of Rosenwald’s impact in Chicago. Ms. McCarthy explained the fascinating details of Rosenwald’s inspiration for and founding of the museum, a topic that will be expanded upon in a future post on this blog.

Rosenwald’s Philanthropy

Kenneth Warren, a professor at University of Chicago and an expert on African American literature and Ralph Ellison in particular, brought out the context of the Rosenwald Fund’s philanthropy and talked about the impact of Rosenwald grantees on the broader culture of the Jim Crow South. He also had an interesting rumination on Rosenwald’s legacy, which he said had occurred to him while in a department meeting in the campus’s Rosenwald Hall:

I suspect that it might be true that your Fund sought to achieve a vision that included the idea that the University of Chicago Department of English would include among its faculty African American scholars studying African American literature and that this would be an important part of the [curriculum]. (Dr. Kenneth Warren)

Aviva with Dr. Kenneth Warren

After Dr. Warren, we met with two economists, Daniel Aaronson and Bhash Mazumder, from the Chicago Federal Reserve who have done creative and significant research on the impact of the Rosenwald schools. Aaronson and Mazumder used census and military enlistment records to track the heretofore uncharted effects of Rosenwald schools on Southern communities, and found a wide range of positive effects on communities that built schools with the help of the Rosenwald Fund.


Aviva Kempner with Bhash Mazumder and Daniel Aaronson

Finally, Oyekunle Oyegbemi spoke to us about the compelling connection he feels to the Rosenwald school he attended in Prentiss, Mississippi. The Rosenwald Fund provided funding for the campus’s iconic Rosenwald Hall, a beautiful stone building that had many purposes.

[We] were actually proud of that campus and that particular building, because it was the centerpiece […] and I would later learn that that was one of the larger Rosenwald buildings. All the activities were centered around that building. We would go to Vespers services on Sundays, graduation services, the community would [have] meetings, we would have entertainment there. I was in a little band and we would perform there. Not only that, we had classrooms and a library there and on the lower level, they had the administrative offices. So that building was kind of like a catchall for everything and everything was centered around that building.

Oyegbemi, whose family helped found the school, also worked as a handyman on campus during his time at Prentiss. For Oyegbemi, a native of rural Mississippi, the Rosenwald school was a place of discovery; of art, music and his African ancestry. The school was so important to him that years later, in 1989, upon hearing that it was slated to be closed, Oyegbemi packed up and left his current home and job in Chicago and moved back to Mississippi, where he spent months attempting to save the school. Although he was ultimately unsuccessful at saving the school for its original purpose, the campus is still standing and he hopes one day to be part of a rehabilitation campaign there.

Aviva with Oyekunle Oyegbemi

Many thanks to our fantastic interviewees for relating their fascinating stories and illuminating details about Julius Rosenwald’s life and impact.

By Michael Rose

Julius Rosenwald, secret crime fighter?

by | Nov 14, 2012 | Rosenwald Fund

Did Julius Rosenwald make it his last philanthropic act to fund the investigation of notorious Chicago gangster Al Capone? Although he never spoke about it publicly before his death in 1932, Rosenwald was allegedly a member of the “Secret Six,” an organization of wealthy businessmen who, when faced with the inability of the police and courts to stop organized crime in Chicago, took matters into their own hands and funded a private investigation of the Chicago “Outfit.”

The impetus for the formation of the Secret Six came in 1930 when Philip Meagher, construction superintendent for the new Chicago Lying-In Hospital was gunned down in broad daylight by two gangsters at the construction site. The new hospital was being built on the University of Chicago campus thanks to a large donation by Julius Rosenwald, who was also a benefactor of the hospital at its previous location. While receiving treatment for his wounds, Meagher told the police the shooting was due to “labor trouble,” as the construction company Meagher worked for had chosen to use non-union workers.

A postcard of the completed Lying-In Hospital, date unknown

Shortly after this event, Colonel Robert Isham Randolph, president of the Chicago Association of Commerce, told the press that the CAC was taking an interest in the case because violence was increasingly moving from the criminal underworld of alcohol bootlegging into the world of legitimate business. Randolph formed a subcommittee of the CAC to combat organized crime and when he wouldn’t reveal its members to the press, one newspaperman dubbed them the “Secret Six.” In April of 1930 (two months after the shooting of Philip Meagher) Randolph was quoted by the Chicago Daily Tribune, describing the purpose of the Secret Six:

“We want it understood that we have not taken over the city from its constituted authorities. We are not vigilantes and we are not adopting extra-legal methods. The law enforcing agencies were scattered and there was an apparent lack of coordination between them. We feel that we have brought about a coordination of police, prosecutors, and Criminal court judges. We have done more—we have set up a real secret service for the prosecutors—something they would have been unable to do themselves.” (Chicago Daily Tribune, Apr 15, 1930)

Specifically, it seems that the Secret Six funded private investigators, began a protection and relocation program for state’s witnesses and supported an income tax investigation (tax evasion was what Capone was ultimately convicted for). This six man anti-crime organization was necessarily secret: in this time of bribed law enforcement and bold intimidation of civil servants by gangsters, it was important that anyone wishing to stand up against organized crime remain anonymous. It should come as no surprise, then, that Rosenwald never claimed membership in the Secret Six, especially because he passed away shortly after Capone’s conviction. Randolph, in his 1932 eulogy for Rosenwald addressed to the Chicago Association of Commerce, expressed gratitude for Rosenwald’s financial support of the Secret Six, calling him “the most human of men” and praising his “wise” philanthropy.

Mugshot of Capone taken June 17th, 1931 by the United States Department of Justice

The Secret Six’s role in bringing down Al Capone and other racketeers has been overshadowed by the more heavily dramatized story of Eliot Ness and the “Untouchables,” but their financial support of crime fighting efforts was crucial to Capone’s conviction. At the time, the Secret Six were well known nationally. Their work was discussed in many newspaper articles and the story was the subject of a pre-Code gangster film in 1931 named The Secret Six, about the rise and fall of a bootlegger named Slaughterhouse Scorpio (a character loosely adapted from Capone). Although it’s less well known than other pre-Code classics like Little Caesar and The Public Enemy (though it was released within a few months of them) it’s no less exciting and fast-paced. It also serves as a revealing document of the popular perception of Prohibition-era gangsters (and those who worked to bring them to justice) made during a time when alcohol bootlegging and the attendant violence was still very much a reality in cities like Chicago.

In a humorous touch, the Secret Six don black masks before meeting members of the press in the 1931 film, The Secret Six

By Michael Rose

Repressed play by Rosenwald fellow finally making its U.S. premiere

by | Sep 19, 2012 | Rosenwald Grant Recipients

Anthropologist, dancer and choreographer Katherine Dunham’s most notorious ballet, Southland, opened last weekend at The Newman Center for the Performing Arts, University of Denver. This is the first ever performance in the U.S., over sixty years after Dunham first produced it.

Southland debuted in Chile in 1951 and was immediately subjected to repression efforts by the U.S. State Department. The play dramatically stages the lynching of a black man accused of raping a white woman, and in the anti-Communist fervor of the early 1950s it was considered dangerously subversive by government officials in the U.S. Dunham took the ballet to Paris, where it was also met with U.S. suppression efforts and criticism from the American embassy.

Katherine Dunham, 1956
Photo credit: New York World Telegram / Library of Congress

Dunham is often remembered for her roles in Hollywood pictures, but she was a talented anthropologist as well, and she received consecutive Rosenwald grants for anthropological research in 1935 and 1936. Dunham used these grants to travel to Caribbean nations and study indigenous dance forms, research which informed both her choreography and her academic study of the cultural links between African nations and the diaspora. The peripatetic researcher and artist’s first trip abroad was under this Rosenwald fellowship, and she later compiled her research into a Master’s thesis at the University of Chicago.

Constance Valis Hill argued in a 1994 article in Dance Research Journal that Dunham’s Southland was ahead of its time, a work of protest art that may have been received more favorably a decade later during the upheaval of the 1960s. Although the ballet was criticized publicly at the time and caused strife within Dunham’s dance troupe, her artistic and critical vision of the Jim Crow American south is finally getting the treatment it deserves.

Read more about this performance and the history of the ballet at the Denver Post.

By Michael Rose

Theatrical production of Rosenwald fellow’s famous novel premieres in D.C.

by | Sep 5, 2012 | Rosenwald Grant Recipients

A theatrical production of Ralph Ellison’s seminal 1952 novel, Invisible Man premieres tonight at the Studio Theatre in Washington D.C. Ellison began working on Invisible Man in 1945, with the resources provided to him by a Rosenwald Fellowship. This is the second staging of Oren Jacoby’s theatrical adaptation of the novel, which had never before been adapted in any form. The Studio Theatre’s show features the same director and star as the early 2012 premiere production at the Court Theater at the University of Chicago. Jessica Goldstein describes the most striking feature of the stage design in today’s Washington Post, the 650 light bulbs that light up the eponymous character’s underground dwelling. Information about the schedule and tickets can be found on the Studio Theatre’s website.

Ralph Ellison, 1961
United States Information Agency via Library of Congress via Wikimedia Commons